currently reading Red Harvest by Dashiell Hammett. on a bit of a noir kick, having watched Laura, Double Indemnity, The Big Heat, and No Country for Old Men all in the last month. noirs reveal to me just how shaky my grasp of plot is. I’m great at being carried along by a movie or a book, immensely enjoying it as it unfolds, but then retaining almost none of the details of the story. The Big Heat is about…a police officer gets killed…and there’s a bigwig politician…Glenn Ford’s wife is murdered by a car bomb…uhhh….Laura, obviously, Laura dies, but then she’s not dead, because…her effete journalist patron…kills the wrong girl……Double Indemnity, insurance fraud, of course, like the title suggests, Barbara Stanwyck tricks Fred MacMurray into killing her husband, but then…MacMurray’s boss doesn’t want the insurance company to pay out…so….and, and, No Country for Old Men, I’ve seen it innumerable times, could practically recite the opening monologue…but…Anton Chigurh works for…uh…and Woody Harrelson, he’s hired by…someone…who also is working with the Mexicans…to track down the money Josh Brolin finds…..
it’s worse for things I read, and Red Harvest is especially convoluted. all the characters are lying to each other, the “mystery” that incites the action is apparently resolved a third of the way in, and I’m now at the part where there’s a boxing match that’s fixed, but…one of the boxers is actually a different guy…from…Philadelphia? anyway, sorry if I’m spoiling any of these classics for you. the point is, well, the points are: 1) I think it might be beneficial to read/watch something almost immediately after finishing it for the first time; I’m thinking I’ll flip back to page one of Red Harvest as soon as I reach the end. 2) maybe “plot” isn’t exactly my thing; maybe I ought to care less about ensuring something coherently flows from beginning-middle-end, inciting incident-rising action-climax-denoument, at least not in terms of “events,” but work more through vignettes that ebb and flow, building towards moment(s) of clarity, like a Fellini film (I’ve watched three Fellini films, Nights of Cabiria, Amarcord, La dolce vita—none of which have much in terms of traditional “plot”—in the last week). and 3) I should pay closer attention to the things I read and watch—I’m notoriously bad about “reading” something while thinking of something entirely different for a page or two, somehow dissociating from an activity that is itself a little dissociative. that’s a bad habit; I envy people who can bring to mind specific scenes and sequences from books they’ve read once; I can’t even do that with books I’ve read multiple times.
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