Today, love is being positivized into a formula for enjoyment. Above all, love is supposed to generate pleasant feelings. It no longer represents plot, narration, or drama—only inconsequential emotion and arousal. It is free from the negativity of injury, assault, or crashing. To fall (in love) would already be too negative. Yet it is precisely such negativity that constitutes love: “Love is not a possibility, is not due to our initiative, is without reason; it invades and wounds us.” [Levinas] Achievement society—which is dominated by ability, and where everything is possible and everything occurs as an initiative and a project—has no access to love as something that wounds or incites passion.

Byung-Chul Han, The Agony of Eros

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