There can be no communism except in the goods of the spirit and, to some extent also, of the mind, and only when such goods are possessed by men and women in a state of non-attachment and self-denial. Some degree of mortification, it should be noted, is an indispensable prerequisite for the cration and enjoyment even of merely intellectual and aesthetic goods. Those who choose the profession of artist, philosopher, or man of science, choose, in many cases, a life of poverty and unrewarded hard work. But these are by no means the only mortifications they have to undertake. When he looks at the world, the artist must deny his ordinary human tendency to think of things in utilitarian, self-regarding terms. Similarly, the critical philosopher must mortify his common-sense, while the research worker must steadfastly resist the temptations to over-simplify and think conventionally, and must make himself docile to the leadings of mysterious Fact. And what is true of the creators of aesthetic and intellectual goods is also true of the enjoyers of such goods, when created. That these mortifications are by no means trifling has been shown again and again in the course of history. One thinks, for example, of the intellectually mortified Socrates and the hemlock with which his unmortified compatriots rewarded him. One thinks of the heroic efforts that had to be made by Galileo and his contemporaries to break with the Aristotelian convention of thought, and the no less heroic efforts that have to be made today by any scientist who believes that there is more in the universe than can be discovered by employing the time-hallowed recipes of Descartes. Such mortifications have their reward in a state of consciousness that corresponds, on a lower level, to spiritual beatitude. The artist—and the philosopher and the man of science are also artists—knows the bliss of aesthetic contemplation, discovery, and non-attached possession.
The Perennial Philosophy, Aldous Huxley
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